PROYECTOSMONCLOVA is a contemporary art gallery based in Mexico City that focuses on facilitating dialogues between Mexican and international artists from different generations such as: Eduardo Terrazas, Fred Sandback, Martin Soto Climent, Josephine Meckseper, Tercerunquinto, Helen Escobedo and Chantal Peñalosa among others. Established in 2005, the gallery’s program has evolved into one of the most important forums for contemporary art in Mexico. In addition to the exhibition program the gallery publishes books and exhibition catalogues. Recent titles include: Restoration of a Mural Painting. Tercerunquinto 2000-2015, Robert C. Morgan. Works 1967-2017, and the upcoming The Properties of Light. Luis Barragán-Fred Sandback. Exhibition highlights include: Caramel Huysmans. Martin Soto Climent (2015); The Properties of Light. Fred Sandback (2016); dre omins. Andreas Slominski (2016); Con tan sólo mirar… Eduardo Terrazas (2016); Doble fondo. Tercerunquinto (2017); and the upcoming Josephine Meckseper (2017).

 

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TUESDAY-FRIDAY
11:00-18:00
SATURDAYS
11:00-16:00

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Colima 55 Roma Norte
Mexico City 06700
+52 (55) 5525 9715
+52 (55) 4754 3546

Contact

(C) PROYECTOSMONCLOVA, 2015.

Gabriel de la Mora

De la Mora’s practice is focused on the use or reuse of discarded and obsolete objects that appear to have concluded their utilitarian life. Interested in the deconstruction and fragmentation of an object or material over time, he refuses the notion of the artist as a virtuoso, instead focusing on process and time-based practices, echoing the concept of the ready-made. Through an obsessive process of collecting and cataloguing discarded objects, such as old radios, shoe soles, microscope slides, eggshells, doors and daguerreotypes, he reorganizes these forgotten fragments in precise geometric arrangements to present them in a new light. His practice therefore lends visibility to the immaterial aura of objects, which when removed from their previous utilitarian narrative and re-contextualized in an exhibition, juxtapose the ‘past lives’ of the object with the present, as though giving the materials the opportunity to look back and reflect on themselves.

1867Gabriel de la Mora
MCI / 9 – IV e, 2015, discarded rubber blankets from offset printing press, mounted on wood, dimensions: 60 x 45 x 4 cm
1849Gabriel de la Mora
MCI / 7 – III f, 2015, discarded rubber blankets from offset printing press, mounted on wood, dimensions: 120 x 180 x 6 cm
1857Gabriel de la Mora
MCI / 144 I f, 2015, discarded rubber blankets from offset printing press, mounted on wood, dimensions: 120 x 90 x 4 cm
1954Gabriel de la Mora
MCI / 9 – III, 2015, discarded rubber blankets from offset printing press, mounted on wood, dimensions: 180 x 240 x 6 cm
1943Gabriel de la Mora
PAI / 16 – I f, 2015, discarded aluminum plates from offset printing press, mounted on wood, dimensions: 180 x 120 x 6 cm
1853Gabriel de la Mora
PAI / 1,536, I f, 2015, discarded aluminum plates from offset printing press, mounted on wood, dimensions: 120 x 90 x 4 cm
1873Gabriel de la Mora
288 – IV / Pi, 2014, diptych of 144 pairs of used leather shoe soles on wood, dimensions: 120 x 90 x 4 cm (each)
1875Gabriel de la Mora
288 – I / PL, 2014, diptych of 144 pairs of used plastic shoe soles on wood, dimensions: 120 x 90 x 4 cm (each)
1931Gabriel de la Mora
Altamirano 20 II, 2012, detached consolidated ceiling from 1882 mounted on wood, with an aluminum frame, dimensions: 200.5 x 315.5 x 3.5 cm
1933Gabriel de la Mora
CP IV, 2012, detached consolidated ceiling fragments from 1882 and 1910 mounted on wood, with an aluminum frame, dimensions: 170 x 150 x 4 cm
1851Gabriel de la Mora
8 Poniente 710, III, Puebla de Zaragoza, 2015, detached consolidates ceiling from 1910 mounted on wood, with an aluminum frame, dimensions: 130 x 182 x 3.7 cm
1936Gabriel de la Mora
Suelo III, 2013, triptych of paint, rust and dirt on metal plates, dimensions: 101 x 82.7 x 2.9 cm (each)
1941Gabriel de la Mora
Puerta I B, 2012, paint, rust, paper and dirt on metal plate, dimensions: 81.7 x 90.3 x 4 cm
1877Gabriel de la Mora
127,200, 2014, 5,088 used sides of 2,544 match boxes from 127,200 burnt matches on acid-free cardboard, mounted on wood, dimensions: 200 x 161 x 6 cm
1952Gabriel de la Mora
77,950 (42,250 – 35,700), 2014, diptych of 3,118 used sides of 1,559 match boxes from 77,950 burnt matches on acid-free cardboard, mounted on wood, dimensions: 100 x 80.5 x 4 cm (each)
1885Gabriel de la Mora
B-189 (a/b), 2015, diptych of vintage radio speaker fabric, Framed dimensions: 62.5 x 50.4 x 4.5 cm (each)
1925Gabriel de la Mora
B-6, 2013, vintage radio speaker fabric, Framed dimensions: 47.4 x 48.4 x 4.5 cm
1927Gabriel de la Mora
B-301, 2015, vintage radio speaker fabric, Framed dimensions: 27 x 29 x 4.5 cm
1859Gabriel de la Mora
Yo quiero ser tonta E-160, 2016, vintage photograph intervention, Framed dimensions: 40 x 45.5 x 7 cm
1893Gabriel de la Mora
N 119, 2015, vintage photograph intervention, Framed dimensions: 46 x 37.6 x 5 cm
1879Gabriel de la Mora
La cabeza viviente C 1174 CV-3 (1961), 2011, torn vintage photograph, Framed dimensions: 36 x 36 x 4.5 cm
1945Gabriel de la Mora
Delia Magaña 15 oct 1955, 2011, torn vintage photograph, Framed dimensions: 36 x 36 x 4.5 cm
1950Gabriel de la Mora
Cristales de inevidencia, 2014, glass stereoscopic slides in cardboard box, dimensions: 10.9 x 10.9 x 4.4 cm
1869Gabriel de la Mora
CI / 2,639, 2015, glass microscope slides, Framed dimensions: 83.6 x 61.2 x 8 cm
1956Gabriel de la Mora
CI / 2,674 I P.o., 2015, glass microscope slides, Framed dimensions: 83.5 x 61 x 8 cm
1947Gabriel de la Mora
CI / 47 I, 2015, glass microscope coverslips, Framed dimensions: 61.7 x 50.5 x 6 cm
1871Gabriel de la Mora
CI / 68, 2015, glass microscope coverslips, Framed dimensions: 76 x 59.2 x 6 cm
1881Gabriel de la Mora
Poética política, 2015, carved obsidian, dimensions: 14 x 180 cm
1883Gabriel de la Mora
Catalogue of the exhibition, 2003-2009, triptych of burnt paper, dimensions: 5 x 28 x 21.5 cm (each)
1864Gabriel de la Mora
500/1987, 2014, incorrectly minted coin, dimensions: 3.2 x 2.8 x 0.2 cm