PROYECTOSMONCLOVA is a contemporary art gallery based in Mexico City that focuses on facilitating dialogues between Mexican and international artists from different generations such as: Eduardo Terrazas, Fred Sandback, Martin Soto Climent, Josephine Meckseper, Tercerunquinto, Helen Escobedo and Chantal Peñalosa among others.

Established in 2005, the gallery’s program has evolved into one of the most important forums for contemporary art in Mexico.

In addition to the exhibition program the gallery publishes books and exhibition catalogues. Recent titles include: Restoration of a Mural Painting. Tercerunquinto 2000-2015Robert C. Morgan. Works 1967-2017The Properties of Light. Luis Barragán-Fred Sandback (forthcoming). Exhibition highlights include: Caramel Huysmans. Martin Soto Climent (2015); TRUE STORY, collective show curated by Michel Blancsubé (2015); The Properties of Light. Fred Sandback (2016); dre omins. Andreas Slominski (2016); Doble fondo. Tercerunquinto (2017); Concept and Painting. Robert C. Morgan (2017); and the upcoming Josephine Meckseper (2017).

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TUESDAY-FRIDAY
11:00-18:00
SATURDAYS
11:00-16:00

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Colima 55 Roma Norte
Mexico City 06700
+52 (55) 5525 9715
+52 (55) 4754 3546

Contact

(C) PROYECTOSMONCLOVA, 2015.

The Estate of Helen Escobedo

Helen Escobedo (1934-2010, Mexico City) was an artist known for her mastery of a range of artistic disciplines including: sculpture, drawing, installation, poetry, design, and architecture, among others. She is also remembered as an important figure in the Mexican cultural landscape for her contributions as director of three major institutions: Museo Universitario de Ciencias y Artes (MUCA), the Museo de Arte Moderno (MAM), and Instituto de Investigaciones Estéticas at UNAM.

Escobedo’s artistic proposition consisted of an exploration of distinct possibilities within sculpture and it’s potentialities, from drawing deployed as strategy, media or documentation, through ephemeral or urban sculptures. Similarly, she was an active figure in land and environmental art movements beginning in the 1970’s.

Among her most known monumental sculptures in Mexico City are Puertas al viento (1968 Ruta de la Amistad); Espacio escultórico (1977-1979, UNAM), which she co-created; and Coatl (1980, Espacio escultórico, UNAM). In 1986 Escobedo was appointed a lifetime member of the Royal Academy of Sciences, Letters and the Arts of Belgium. She is also the recipient of a Guggenheim fellowship (1991); a Mexican National Fund for Culture and Arts fellowship (1999); the Mexican National Prize for Art and Science gold medal in Visual Arts (2009).

2981The Estate of Helen Escobedo
Homenaje a octubre, 1978, lacquered wood, dimensions: 53.5 x 90 x 45 cm
2986The Estate of Helen Escobedo
Serie urbe en el desierto, 1978, collage, watercolor, color pencil and ink on paper, dimensions: 50.5 x 58 x 5.2 cm
2988The Estate of Helen Escobedo
Infonavit, 1978, collage and ink on paper, dimensions: 50.5 x 58 x 5 cm
3015The Estate of Helen Escobedo
Círculos concéntricos, 1977, marker on paper, dimensions: 70 x 50 cm
3007The Estate of Helen Escobedo
Círculos concéntricos, 1977, lacquered wood, dimensions: 55 x 30 x 30 cm
3009The Estate of Helen Escobedo
Desenvolvimiento, 1977, lacquered wood, dimensions: 59 x 32 x 42 cm
3013The Estate of Helen Escobedo
Desenvolvimiento, 1977, color pencil and marker on paper, dimensions: 64 x 39 cm
3011The Estate of Helen Escobedo
Desarrollo vertical, 1977, pastel and marker on paper, dimensions: 50 x 70 cm
3064The Estate of Helen Escobedo
Coatl, 1980, lacquered steel
3031The Estate of Helen Escobedo
De la ficción a la realidad: Coatl, 1982, graphite on paper, dimensions: 55 x 75 cm
3065The Estate of Helen Escobedo
Eclipse, 1968, lacquered wood, dimensions: 201 x 76 x 73 cm
3019The Estate of Helen Escobedo
Pasaje rojo, 1979, lacquered aluminium, dimensions: 19 x 13 x 28 cm
3021The Estate of Helen Escobedo
Barda caída, 1979, color pencil and marker on paper, dimensions: 50 x 70 cm
3029The Estate of Helen Escobedo
Barda caída sencilla, 1979, aluminium
3027The Estate of Helen Escobedo
Yo, monumento!, 1979, collage and color pencil on paper, dimensions: 25 x 56 cm
3017The Estate of Helen Escobedo
Rimbaud-Inventé el color de las vocales, 1979, ink on vellum paper, dimensions: 36 x 27.5 cm
3025The Estate of Helen Escobedo
Rimbaud-Rebeldía de letras, 1979, collage and ink on paper, dimensions: 39 x 29.4 cm
3023The Estate of Helen Escobedo
Rimbaud-Temo el invierno, 1979, ink on vellum paper, dimensions: 36 x 28.5 cm
2990The Estate of Helen Escobedo
Nace el cono, 1985, intervened photograph, dimensions: 21.5 x 32 cm
3002The Estate of Helen Escobedo
Árboles heridos, 1995, acrylic and graphite on photograph, dimensions: 20 x 14.5 cm
2994The Estate of Helen Escobedo
Wounded trees, 1993, intervened photograph, dimensions: 29.5 x 21 cm
2992The Estate of Helen Escobedo
El plasticóatl, 1993, acrylic, ink and graphite on photograph, dimensions: 21.5 x 35.5 cm
2996The Estate of Helen Escobedo
El bosque desencantado, 1993, intervened print, dimensions: 98 x 112 cm
2998The Estate of Helen Escobedo
Apoyo al árbol viejo, 1994, acrylic and ink on photograph, dimensions: 21 x 29.5 cm