PROYECTOSMONCLOVA is a contemporary art gallery based in Mexico City that focuses on facilitating dialogues between Mexican and international artists from different generations such as: Eduardo Terrazas, Fred Sandback, Martin Soto Climent, Josephine Meckseper, Tercerunquinto, Helen Escobedo and Chantal Peñalosa among others. Established in 2005, the gallery’s program has evolved into one of the most important forums for contemporary art in Mexico. In addition to the exhibition program the gallery publishes books and exhibition catalogues. Recent titles include: Restoration of a Mural Painting. Tercerunquinto 2000-2015, Robert C. Morgan. Works 1967-2017, and the upcoming The Properties of Light. Luis Barragán-Fred Sandback. Exhibition highlights include: Caramel Huysmans. Martin Soto Climent (2015); The Properties of Light. Fred Sandback (2016); dre omins. Andreas Slominski (2016); Con tan sólo mirar… Eduardo Terrazas (2016); Doble fondo. Tercerunquinto (2017); and the upcoming Josephine Meckseper (2017).

 

-
TUESDAY-FRIDAY
11:00-18:00
SATURDAYS
11:00-16:00

-
Colima 55 Roma Norte
Mexico City 06700
+52 (55) 5525 9715
+52 (55) 4754 3546

Contact

(C) PROYECTOSMONCLOVA, 2015.

Exhibition

FORMASOBREFONDO

June 22, 2017

September 02, 2017

Curated by Willy Kautz
  • Ana Bidart
  • Sergio Camargo
  • Ulises Carrión
  • Helen Escobedo
  • Verónica Gerber Bicecci
  • On Kawara
  • Leo Marz
  • Paulo Monteiro
  • Gabriel de la Mora
  • Edgar Orlaineta
  • Mauro Piva
  • Sebastián Romo
  • José Luis Sánchez Rull
  • SANGREE
  • Fred Sandback
  • Marco Treviño
  • Ignacio Uriarte

Concept and Painting

March 23, 2017

April 29, 2017

Robert C. Morgan

PROYECTOSMONCLOVA is pleased to announce the first individual exhibition of internationally renowned art critic, artist, writer, art historian, and lecturer, Robert C. Morgan (1947, USA) in Latin America.

An authoritative critic and intellectual of the New York contemporary art scene, for fifty years Morgan has maintained a dedicated studio practice in parallel to his writing. His work has been shown at the Whitney Museum of American Art (1976) and has been included in exhibitions by seminal curators including Lucy Lippard at Printed Matter (1984) and Helene Winer at Artists Space (1977).

The exhibition, Robert C. Morgan: Concept and Painting, will offer a historical overview of pieces made throughout Morgan’s career. Selected works include drawings, paintings, and photographic documentation of performances from the 1960’s to today.

Since 1970, Morgan has devoted his focus to testing the limits of abstraction to explore the potential for geometric form to suggest space and depth within a picture plane. His architectonic approach utilizes a deliberately restrained scale and a limited color pallet to enhance the viewer’s awareness of the interplay between compositional elements as well as the sense of space suggested by the reflection vs. absorption of light by his canvas’s pigments. 

Morgan holds an MFA in Sculpture from the University of Massachusetts, Amherst (1975), and a Ph.D. in contemporary art history and aesthetics from the School of Education, New York University (1978). Dr. Morgan lives in New York, where he lectures at the School of Visual Arts and Pratt Institute. He is Professor Emeritus in Art History from the Rochester Institute of Technology, and, since 2011, a member of the European Academy of Sciences and Arts in Salzburg.